So here we have the second instalment and coming in highly regarded after a successful debut in the form of ‘Come Mierda’.Things boot off in fine form with breaks and beats a plenty in the form of ‘Water’; highly accessible happy light end electronics hooks carrying the warm heavy barrage of beats and bass synthetics to the max; its an inviting and fresh approach to entering an album that I have had from many a genre in quite some time. T

So here we are on album number two for SE.  The debut album Epiphora was excellent; hooks and tunes that you just couldn’t let go of and of course this meant a hard task ahead to beat it.From the off with ‘Chrono’, immediate responses are that he may just have managed it and we are in for something special; movie sound-tracking from the word go with some immediately catchy hooks. SE definitely has his own sound and this is shows on ‘Stadium’; familiar sounds from the last album are integrated with guitar and the addition of squelchy beats.  Again SE has gone for an immediately catchy hook and it’s this tried and trusted formula that’s a sure fire winner.

Opening up with some pretty entertaining samples surrounding the death of someone who blew his brains out upon his girlfriend climaxing, this automatically set the scene for some old skool Death Industrial in my head; I wasn’t to be disappointed. Opening full track ‘Clean, Holy, Beautiful’ grinds along like a machine with the warbled sampling flittering away in the background whilst other machine like ambience gradually builds into a monstrous wall of noise; cracking.